Remembrances

Each Memorial Day, I’m grateful that I have no one directly related to me to mourn. I am related to many veterans, mind you. My father, stepfather, both grandfathers, husband and even an ex-husband served in the military. So did a number of my friends.
They all survived that service. Thank god.
And I realize how lucky I am. Because I’ll never forget watching my dad scanning the Vietnam Wall in D.C. for the names of his fellow soldiers, his friends. It’s one of the very few times I’ve seen my dad cry, and it was then that I realized just how horrific war must be. And how hard it must be to survive it.

Publisher’s Note: A Light in the Dark

I love young adult fiction. And I’m not the only far-from-young adult who does.
I was born during what was considered at the time the golden age of young adult fiction. By the time the genre’s popularity began to flag in 1990s, I was busy getting a degree in English Literature, so I was immersed in Shakespeare and other works not often considered YA (although, um, hello, Romeo & Juliet…). And I was not far out of actual young adulthood before Harry Potter revitalized YA fiction and sent its popularity into the stratosphere.
Even before I had my daughter, I continued to read YA. Of course, when my I was reading to a baby and toddler every day, my fiction repertoire shifted significantly younger, and I discovered a renewed love of children’s fiction, as well.

Publisher’s Note: Making Magical Memories

I’ve just finished binge watching season two of one of my daughter’s favorite TV series, an Amazon Original Series called Just Add Magic.

The series tells the story of three middle school friends who found themselves protectors of a magical cookbook. Each season revolves around a mystery that must be magically solved, but the series is as much about friendship, family and growing up as it is magic.

It’s family viewing in my house. Very much an extrovert, Nola is always looking for shows we can all watch together. But I’ll admit, it’s getting harder as she grows older.

Preschool programming has long been pretty solid. Channels like PBS, Disney, Nickelodeon and Sprout offer a wide selection of shows with interesting characters, but more importantly, they are framed around learning. Math, spelling, social skills, morality…the programs serve as education vehicles as much as entertainment.

But once the kids get into school, the options diminish quickly, at least in my opinion. No longer education-based, I often find the shows vapid, annoying and anything but entertaining.

I have to admit being impressed with the Amazon Originals. Just Add Magic, for example, offers all of the qualities that great middle grade and young adult literature have long possessed: They’re geared toward younger ages but are just as entertaining and relevant for adults.

Kind of like the excellent YA offerings we have here at WMG. In fact, every time I watch Just Add Magic, I think of one of Kristine Kathryn Rusch’s YA short stories: “Domestic Magic.”

Here’s the synopsis:

At a high school for the magical, the most picked-on kid dreams about J. Rutherford Wisenhaur II killing people with a fire spell. She knows her nightmares portend the future, but her domestic magic lacks the power to do most difficult spells.

To make matters worse, no one will believe her. So, what’s a young, nearly powerless witch to do?

So, if you’re looking for a diversion from reality this week, check it out. You can buy it here.

In the meantime, I’ve just figured out the next thing for my family to read together.

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.

Publisher’s Note: Oh, the Horror

I’ll never forget my first horror movie. I was 11 or so. My sister and I weren’t supposed to watch R-rated movies until we were 17, but we were at a friend’s house and they were watching A Nightmare on Elm Street. I knew I shouldn’t watch it, but, well, you know how it goes when you’re a kid. So, I did. And I’ve regretted it ever since.

Basements still scare me. But at least I don’t ever feel like a tongue is going to come out of my smartphone.

I’ve had a tenuous relationship with horror ever since. My freshman year in high school, someone described a scene from Stephen King’s It to me and I still can’t walk over a storm drain for fear some homicidal clown will grab my leg. I learned to be very careful when it came to watching or reading horror.

But as I’ve gotten older, I learned to appreciate the genre better. I listened to Interview with the Vampire on tape while driving at night. I’ve watched Grimm and Haven (based on a Stephen King story, no less) religiously. And I’ve read every one of Kristine Kathryn Rusch’s horror stories.

Kris presents horror in such a way that it’s hard not to appreciate it even if horror isn’t your thing. As the London Times says, “Like early Ray Bradbury, Rusch has the ability to switch on a universal dark.”

Her latest story, “Children of the Night,” is a perfect embodiment of this statement.

Sins of the Blood ebook cover web 285Here’s the synopsis:

No one told Cammie about the children. She finds out on her sixth eradication. The fear in the little girl’s eyes, the horror at Cammie’s approach, brings on the dreams. She trained hard to become a vampire slayer, but now she questions everything. Her job, her motivations, even her own past.

Those of you who’ve read Kris’ novel Sins of the Blood might recognize Cammie. “Children of the Night” is the short story that inspired that novel.

And just in time for Halloween, “Children of the Night” is available this week on Kris’ website as her Free Fiction offering, starting at noon today.

So, check it out. And if you enjoy it, you might want to pick up Sins of the Blood, which is available in ebook, trade paperback and audiobook.

Have a frightfully good week.

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.

Publisher’s Note: As summer draws to a close…

Well, here we are: the last official week of summer. For some, it’s also the last week of summer vacation. That includes my daughter, who will be starting kindergarten next week (gulp!). And while I find myself looking at the future in her eyes, I also find myself reminiscing about my own school days, when the week before Labor Day was always our last week of summer vacation.

For many years, that last week of vacation was bittersweet. Sure, it was nice to be able to watch all the TV I wanted during the day, but I also looked forward to going back to school. Being home was, for me, boring. School was full of learning opportunities and activities. So, while part of me was always sad to see summer come to an end, most of me was thrilled to go back to school.

Later on, in my high school years, my dad began renting a beach house the last week in August on Long Beach Island in New Jersey. The Jersey Shore as we call it. And no, it’s nothing like the show. Don’t get me started on that one.

So, every year, my summer would end at the beach. And I loved it. Sun, sand, surf, fudge, miniature golf, the list goes on. It became tradition—a tradition that I miss to this day. It ended the year my dad moved to Savannah. And the last week of summer has never quite been the same. Perhaps I should start a new family vacation tradition…

August was always the hottest month in New Jersey, so we were often looking for ways to cool off. The beach was a great choice. A good book was a necessary accessory.

These days, we have oh so many ways to enjoy a good book, including several formats from our smartphones or ereaders or tablets. And if you want a good book that will entertain you but chill you to the bone and allow you to keep your eyes closed (unless you’re driving!) at the same time, do I have a recommendation for you.

Cold Call audiobook cover webYou see, last week Cold Call, the second book in Dean Wesley Smith’s Cold Poker Gang series, released in audiobook.

Here’s the synopsis:

When retired detective Bayard Lott offers to help retired detective Julia Rogers search for her lost friend near a remote Idaho lake, they find clues that might lead them directly to the most dangerous serial killer in Las Vegas history.

Set in the rugged mountains of Idaho, this twisted mystery pits the Cold Poker Gang against a master criminal.

Cold, twisted, perfect for those last days of summer. Oh, and by the way, the first book in that series, Kill Game, is available in audiobook, too.

So, listen and enjoy.

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.

Tiffany Tumbles

Browse more Books Search for: The WMG Newsletter Get advanced notice of new releases, bonus content, and so much more. Subscribe Now Daughters of Zeus The Fates Universe Young Adult Fantasy & Magic Available in: ebook, $2.99 Trade paperback, $9.99...

Publisher’s Note: Women in Science Fiction

Gender equality. It’s a long-debated topic, and one that, as a female CEO, I’m extremely familiar with. But lest we get off on the wrong foot, let me assure you that I’m not about to go on a political rant one was or another about gender equality. That is not the purpose of this blog.

Instead, I’m here to tell you that I have never felt my gender held me back. In part, because I simply never adopted the frame of mind that would allow it. I’ve always demanded equal treatment because it never occurred to me to accept anything else.

In high school, for example, I became drum major of the marching band my senior year, along with two other seniors, both male. We were an unusual bunch. We all had exotic names (that made band introductions at away games really fascinating), and we were all taller than any of the drum majors preceding us, apparently.

I know this last part because the traditional drum major uniforms were too short for every one of us.

Ironically, this worked in my favor. You see, the traditional uniforms called for the boys to wear pants and the girls to wear skirts. I found this unacceptable. We were equals in leadership. Why should we not be able to represent ourselves equally, as well.

So, when we were told we’d need to come up with our own uniforms, I gave my classmates and my male band instructor a choice: We could all wear skirts, or we could all wear pants.

I’ll let you guess how that played out. Suffice it to say, I won my argument.

I bring all this up because sometimes, an inequality can be set to right. In the case of the uniforms, it was merely a failure to question a long-standing, but outdated tradition.

In the case of women writing science fiction (or not writing it), however, it is simply misconception. And it’s a misconception that our own Kristine Kathryn Rusch, herself an award-winning, bestselling science fiction writer, is working very hard to set to rights.

She has a number of projects I’ll share with you in the future. But the first I can share is the new Women in Science Fiction StoryBundle, which contains two WMG titles.

Women in SF adAs the best person to tell you how that bundle came about is Kris herself, I will. Here it is, in Kris’ words:

I received a huge shock late last year when some younger writers told me that women didn’t write science fiction. “Present company excepted,” they said to me.

“But…but…what about…” and I listed wonderful writer after wonderful writer, whom these young writers had never heard of. I did some research and realized that even though women have written sf since the beginning of sf (in fact, you could argue that a woman started the genre. Hats off to you and your Frankenstein monster, Mary Shelley!), women and their fiction never received the press that their male counterparts did. That’s why those young writers had no idea women have always written science fiction.

So I decided to do a bunch of projects to rectify the publicity problem, including this StoryBundle. When I pitched the idea to Jason Chen, he loved it.

The women writers in this bundle have written or worked in science fiction for a cumulative 240 years. We have written every kind of sf, from space opera to hard science fiction. We’re all award nominees. Some of us are award winners. We’ve written dozens of bestselling novels. Many of the women in this bundle have written Star Trek tie-in novels. Others have written for popular games.

And of course, we’ve written in our own universes.

We’re sharing our universes here. You’ll find trips to the stars from Vonda N. McIntyre, Nancy Kress, Judith Tarr, and from me. Catherine Asaro and Linda Nagata explore the mind and artificial intelligence. Jody Lynn Nye injects some much needed humor into the bundle. Cat Rambo gives us a look at her versatility with her short fiction collection Near + Far.

I’ve been joking that we also have a token man in the bundle. Singer/Songwriter Janis Ian, a longtime science fiction fan, teamed up with Mike Resnick to produce the marvelous anthology Stars, which you can get in this bundle. But this award-nominated anthology balances the genders and includes the work of 17 men in addition to great stories by women, so Mike isn’t entirely alone in his maleness. All of the stories in Stars are based on Janis’s songs.

And, as a bonus, you’ll get one of Janis’s songs. She wrote “Welcome Home” for her stint as Toastmistress of the 2009 Nebula Awards ceremony in Los Angeles.

The song makes me tear up every time I hear it. It is the perfect fannish anthem, and we get to share it with you as a special gift.

I did not ask these women for projects that have strong female protagonists or a feminist message. I just wanted great stories, and I got them, from some of the best writers in the field.

If you have a friend who claims that women don’t write science fiction, share this bundle with them—after you’ve bought one for yourself, of course. Because women have written some of the best sf in the world—I mean, in the universe!

One last thing. In addition to the usual charities that you can support with this bundle, we’ve included an extra one. The Pearl Foundation, named after Janis Ian’s mother, funds college scholarships. The Pearl Foundation’s mission statement says that knowledge is the greatest gift you can offer.

We hope you pick up the bundle, gain a bit of knowledge for yourself, and give a little extra so that other people can receive a good education.

Great writers, great stories, a marvelous fannish song, and great charities. All for a bargain price. Share this one, because it’ll be gone all too soon.

You can find out a lot more about the bundle here. And I hope you will. It’s great writing from some of the masters of science fiction. What’s not to love?

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.

The Interim Fates

The Daughters of Zeus Surviving high school just got more complicated. Reading Order  Tiffany TumblesCrystal CavesBrittany Bends Browse more Books Search for: The WMG NewsletterGet advanced notice of new releases, bonus content, and so much more. Subscribe Now The...

AnLab Award Winner for Best Short Story: Snapshots

WMG Publishing is pleased to present “Snapshots” by Kristine Kathryn Rusch, which won the AnLab Award from Analog Science Fiction and Fact magazine for Best Short Story. The story is also available from Amazon, Barnes & Noble, Kobo, iBooks and other online retailers.

Snapshots ebook cover web

 

Let the people see. Open [the coffin] up. Let the people see what happened to my boy.
—Mamie R. Bradley, mother of Emmett Till, quoted in “Mother receives the body of her slain son,” The Atlanta Daily World, September 7, 1955

 

SNAPSHOT: 1955

 

The church was hot. Last of summer in Chicago. Cleavon didn’t hold his mama’s hand. At ten, he was too big to cling, but he sure wanted to. He ain’t never seen so many people all in one place, and they was cryin and moanin and carryin on, even though the preacher ain’t started yet.

Mama didn’t want him sayin “ain’t,” but he could think it, at least today.

Mama was draggin him here, not Papa, not his older brother Roy. Roy was the same age as Emmett Till. They been friends, and Papa said it just be cruel to make him go, but Mama said she would anyways.

Roy ain’t been home since. He probably wouldn’t come back till the funeral was over.

Cleavon never knowed anybody who been on the news, and Emmett’d been on the news for days now. And in the Chicago Defender, too. Papa kept staring at the headlines, but the only one Cleavon kept looking at was “Mother Waits in Van for Her ‘Bo.’” Ain’t no one outside of the South Side knowed that Emmett wasn’t Emmett to the folks what knowed him. Emmett was Bobo, and he hated it.

Cleavon didn’t talk to him much, couldn’t call him a friend. He was too big a kid for that—nearly grow’d—which was why, Mama said, them Southern white boys thought he was whistling at that stupid white woman. The idea of it all made Cleavon shiver whenever he seen white folk, and there was a lotta white folks near Roberts Temple Church of God in Christ today. They was all reporters, Mama said, and ain’t none of them gonna beat up little black boys.

“Not with all these people watching,” Mama said.

Cleavon wanted to correct Mama. Emmett wasn’t beat up. The papers said he was pistol-whipped, then shot in the head. Cleavon had a whipping before, more than one, with his Papa’s belt, but never at the hands of white boys. Whippings didn’t scare him so much as guns. It was hard to run away from guns.

He’d said that to Papa, and Papa’d given him a sad look. You ain’t never had a true whipping, son, Papa’d said, and I hope you never get one.

It was after Cleavon said that that Papa stopped arguing with Mama. Papa said it’d be good for the boys to know what them whiteys was capable of. ’Cept Roy was too scared to look.

Cleavon come’d here in his best Sunday clothes, the collar of his starched shirt too tight on his neck, and stood in line near to an hour now, right beside Mama, so they could pay their respects to Emmett. That’s what Mama said to the pastor, but that’s not what she said to Cleavon. To Cleavon, she said he was gonna see something he wouldn’t never forget.

They finally made it past the pews up front, and Cleavon could see the open coffin a few yards ahead. Grownups looked in, then covered their mouths or looked away. Next to it all, Emmett’s mama sat on the steps, tears on her cheeks, men Cleavon didn’t know holding her shoulders like they was holding her up.

Last night, Mama said to Papa after she thought Cleavon was asleep that she didn’t know if she could live without her boys, and he said, You go on, Janet. You just go on.

So Cleavon was watching Emmett’s mama, not the casket, as he come up. Papa told him ’fore they left, he said, What you’re gonna see, son, it’s not pretty. But it’s the way life is. It’s what death can be, if you’re not careful.

Mama yelled then. She said there wasn’t any proof that Emmett wasn’t careful, that whiteys killed us anyway just for breathing funny, and especially down south. Papa said, Now Janet, bad things happen in Chicago too, and she stood taller like she did when she had a mad on, and she said, Not as many bad things, and Papa said soft like he did when he didn’t want no one to hear him, You’re dreaming, honey. You’re just dreaming.

Mama stopped in front of the coffin. She made a sound Cleavon ain’t never heard before. She grabbed Cleavon’s shoulders tight with her black-gloved hands and said, “Never mind, Cleavon. You don’t have to look. We’ve paid our respects,” but now he was determined. She’d dragged him here, and he was gonna see what Emmett’s mama wanted the whole world to see.

He yanked himself outta his mama’s grasp and faced that coffin. Something was in there, dressed like him. Black suit, white shirt. But he didn’t recognize the rest of it. It had a chin and sorta mouth and some black hair what might’ve been Emmett’s. But there weren’t no eyes at all, and the skin was peeled back in places. Plus there was holes in his head.

Cleavon stared at them holes. Gunshot holes.

“Come on, Cleavon,” Mama said, but he wouldn’t move.

That was someone he knowed. That was someone he talked to. That was someone he liked.

“Holy Gods, Bobo,” he said real soft, like his Papa done just that afternoon. “This ain’t right. This ain’t right at all.”

 

***

 

“There are more senseless, irrational killings,” First Deputy Police Superintendent Michael Spiotto told the Tribune for [a 1975] series [on Chicago’s high murder rate]. “There are more cases of murder for which we can’t determine any motive.”
—Stephan Benzkofer, “1974 was a deadly year in Chicago,” Chicago Tribune, July 8, 2012

 

SNAPSHOT: 1974

 

The traffic light turned red half a block ahead. Cleavon Branigan’s shoulders tensed. Kids—reedy, thin, maybe ten-twelve years younger than him—ran into alleys, away from the glass-strewn sidewalks. He was on a cross-street heading toward 65th, and if he didn’t stop, he’d probably get hit.

If he did, he wasn’t sure what the hell would happen.

It was his own damn fault, really. He’d been the one to take this route home after shopping down on East 71st. He wasn’t sure why he’d left the Near West Side anyway. The idea of good fried chicken for lunch and a black birthday card for his roommate, not one of those Hallmark pieces-o-crap, had seemed like a good idea.

Not good enough to stop here, right in the middle of the gang wars.

He slowed, foot braced over the brake, hoping the light would change before he got there. He scanned, left, right, back again, but there was oncoming traffic. He swallowed hard, deciding he’d punch it after the last car left.

He eased to a rolling stop—a California stop, his roommate called it—and all hell broke loose. Gunshots ricocheting, exploding at impact, those kids shooting at each other, not caring about him.

He eased down in the seat, peering over the dash, and slammed his foot on the accelerator. Oncoming traffic could fucking avoid him.

Someone swerved, brakes squealed, and then he was through the intersection, still driving like a crazy man. He didn’t stop until he was halfway up Martin Luther King Boulevard, almost out of the South Side, as far from the projects as he could safely get.

He pulled over into a vacant lot, his heart racing.

Then he saw the bullet holes in the side windows, rear window shattered, glass on the backseat. He hadn’t heard that. He’d thought all the explosions were outside the car.

He started shaking.

Enough. That was enough.

He was done with this Godforsaken town.

He was done, and he was never coming back.

 

***

 

I love Chicago because it made me who I am….But it’s the city I hate to love, and I won’t go back—especially now that I’m raising a son. I don’t want to lose him to the streets of Chicago.
—Tenisha Taylor Bell
CNN.com, February 15, 2013

 

 

SNAPSHOT: 1994

 

“You don’t get a say, Dad.” Lakisha Branigan grabbed her book bag, the beaded ends of her cornrows clicking as she moved. “What part of ‘I got a scholarship’ do you not understand?”

Her dad put his big hand against the big oak door, blocking her way out of the house. “The part that ends with ‘to the University of Chicago,’” he snapped. “You’re not going.”

She flung the bag over her shoulder. He was getting in her way, getting in the way of her opportunities, opportunities he had said he wanted for her.

“Do you know how hard it is to get a full scholarship to the University of Chicago?” she asked.

“I’m proud of you, baby, I am,” he said, moving in front of the door, nearly knocking over her mother’s prize antique occasional table as he did. “But you haven’t been to Chicago. I grew up there—”

“And left when gangs were shooting at you, I know,” she said. She’d heard that story a million times. Her dad hadn’t done anything, he hadn’t gotten out of the car, he hadn’t shot back, he just fled. Reggie, her boyfriend, said that made her dad a coward.

She didn’t like the word, but the sentiment made her uncomfortable. It always nagged her that her dad ran away.

“It’s not like that any more,” she said. “The crime rate is going down. You want to see the statistics?”

“I want you to go somewhere else,” he said. “Dartmouth is in the middle of nowhere—”

“And my scholarship there is tuition only,” she said. “Do you know how much that’ll cost?”

“We’ll get loans—”

“I’m not going in debt,” she said. “University of Chicago or nothing.”

That threat always worked. Except this time.

Her dad sighed and shook his head. “Then it’s nothing,” he said.

She stared at him, shocked. All her life, the lectures: education lifts you up; education is the only way our people can compete; education will make you equal when nothing else will.

“Baby,” he said, “the school is on the South Side.”

“No, it’s not,” she said. “It’s in Hyde Park.”

“Bullets don’t acknowledge neighborhood boundaries,” he said.

“And you’re paranoid.” She flounced away from him, threaded her way through the heavy living room furniture and hurried into the kitchen. She’d wasted fifteen minutes she didn’t have fighting with her dad. She’d take his car, then, and drive herself to school.

She was an adult now, whether he liked it or not.

 

***

 

Hadiya Pendleton, who performed at President Obama’s inauguration with her high school’s band and drill team Jan. 21, was shot in the back Tuesday afternoon as she and other King College Prep students took shelter from a driving rain under a canopy in Vivian Gordon Harsh Park on the city’s South Side.
—Judy Keen
“Chicago teen who performed at inauguration fatally shot,” USA Today, January 31, 2013

 

SNAPSHOT: 2013

 

Five black SUVs stopped in the alley beside Greater Harvest Baptist Church. Thin, serious men in somber suits got out, cleared the snow away from the tires, nodded at other black-clad agents holding back the crowd. Not that anyone was cheering, like the last time Lakisha Branigan had seen the First Lady.

Only Michelle Obama hadn’t been First Lady then. Just First-Lady-elect, if there was such a thing. That cool night under the klieg lights in Grant Park, the Obama family tiny on a tiny stage, a quarter of a mile from where Lakisha and her nine-year-old son Ty stood. She couldn’t even get her father to visit that night, the night the first African-American got elected President of the United States.

An African-American from Chicago. So there, Daddy, she’d said that night. And he’d said from his suburban Southern Illinois home, only three hours away, I don’t want you near Grant Park, baby. And I don’t want my grandson in downtown, ever. You hear me?

She’d heard. She never listened.

She helped Ty out of their own SUV. He was taller than she was now and had already outgrown the suit she’d bought him for the science fairs he specialized in. He’d been the only kid from his school to ever qualify for the First Robotics Competition and he’d been busy with his team for weeks now.

Normally, he complained when Lakisha wanted him to do something extra. His time was short these days. But coming to Hadiya’s funeral had been Ty’s idea. He’d known her all his life.

One of the Secret Service agents bent over, picking something off the ground. His sports coat moved slightly to reveal his gun.

“No,” Ty said, stopping beside the SUV’s open door.

Lakisha almost slid on the ice. She was wearing the wrong shoes for standing in the cold. And nylons. Her legs were freezing.

“What’s wrong?” she asked.

He shook his head. “I can’t go in.”

He looked at the weapon, then at the side doors. Someone had set up metal detectors. Security protocols, because the First Lady was here. Lakisha’s stomach turned. Normally there weren’t security protocols at this church—at any church.

“You go through that stuff every day at school,” she said.

Ty held onto the open door like it was a shield. “I changed my mind.”

“Why?” Lakisha asked.

“No reason.” His voice shifted from its new tenor range to soprano. He didn’t even blush. He usually blushed when his voice cracked.

He slipped back into the SUV, and started to pull the door closed. She caught it.

“What aren’t you telling me?” she asked.

He threaded his fingers together. “Those men have guns.”

“To protect the First Lady,” she said. “You’ve seen that before too. It’s okay, Ty.”

“No,” he said. “It’s not. I want to go home.”

She sighed. Hadiya had been his friend. It was his right to mourn how he wanted.

She rounded the front of the SUV, and climbed into the driver’s side. She shut the door, and was about to turn the key in the ignition, when she hesitated.

“What else, Ty?”

He bowed his head.

“Ty,” she said in the voice she always used to get his cooperation, the voice that still worked, even though he was getting bigger than she was.

“I was in that park, Mama,” he whispered. “And I am not going near anyone with a gun ever again.”

 

***

 

Since the shootings at Sandy Hook Elementary in Newtown, Conn., on Dec. 14, we at Slate have been wondering how many people are dying from guns in America every day…. That information is surprisingly hard to come by…. [For example] suicides, which are estimated to make up as much as 60 percent of gun deaths, typically go unreported…
—Chris Kirk and Dan Kois
Slate, February 21, 2013

 

 

SNAPSHOT: 2019

 

His grandfather smelled of mothballs. He hunched in the passenger seat of Ty’s car, clinging to the seatbelt like it was a lifeline. In the past year, his grandfather had become frail. Ty hadn’t expected it. His grandfather had always been so big, so powerful, so alive.

“Your mama said I’m bothering you.” His grandfather stared out the window at the neat houses on the old side street. Half the lawns were overgrown, but the others were meticulously cared for. “You’re too important to bother.”

“But she wouldn’t come,” Ty said.

“I didn’t call her. I just called you.” His grandfather shifted slightly, then looked at him sideways. “This is man-stuff. She’d yell at me for saying that.”

Ty nodded. Man-stuff. No one talked like that any more. But his grandfather was from a different generation, and in that generation, each gender had a role. His mother hated it, but sometimes Ty thought such strict definitions made life easier.

“Besides, she thinks I’m worrying too much,” his grandfather said.

Ty did too, but he didn’t say that. He’d made his first argument on the phone. Gramps, everyone’s entitled to go dark now and then.

But his grandfather had insisted: his friend Leon never failed to answer his phone. The police wouldn’t check and Leon hadn’t set up any health services, so no one was authorized “to bust into his house,” as his grandfather so colorfully said.

I’m worried, his grandfather had said. When Laverne went, she took part of him with her.

Leon, his grandfather’s best friend for as long as Ty could remember. Both men laughing, teaching him cards, giving him his first beer, teaching him to be a man, because, they said, his mother never would.

It was only a three-hour drive to his grandfather’s house. Ty hadn’t seen him enough anyway.

Ty pulled into Leon’s driveway, thinking about all those marathon movie sessions on Leon’s big TV in the basement, Laverne bringing popcorn, then pizza, and then grabbing the remote so they would get some sleep. Her funeral had been one of the saddest Ty had ever been to.

“I’m sure it’s nothing,” he said. “Leon’ll be mad at us.”

“I hope you’re right.” His grandfather opened the car door and got out, fumbling in the pocket of his plaid coat for keys. He found them, and grabbed the one marked with blue dye.

Then he walked to the garage door, and unlocked it. He’d already let himself in by the time Ty got out of the car.

The garage smelled of gasoline, even though Leon hadn’t had a car with a gasoline engine in five years. The door to the kitchen stood open.

Ty frowned. It was too quiet. There should’ve been shouting or laughing or some kind of ruckus. That was what he always thought of when he thought of his grandfather and Leon. Ruckus.

He climbed the two stairs into the kitchen and the stink hit him first. Something ripe mixed with an undertone of sewer. But the kitchen was spotless like usual. The table clean, no dishes in the sink.

Ty rounded the corner into the living room, stopped when he saw his grandfather crouching. At his feet, some kind of gun.

Ty took one more step, saw Leon on his back, eyes open, half his face gone.

“Fucking son of a bitch listened to me,” his grandfather said.

Ty’s breath caught. “Excuse me?”

“I used to say, you don’t use a gun to kill yourself. What if the shot goes wrong? What if it only wounds you? He used the right bullets, made sure there was no risk of living.”

His grandfather stood, knees cracking. “Shoulda known when I seen Bobo. It don’t always happen in Chicago.”

Ty didn’t understand him, but he didn’t have to. “Let’s get you out of here, Gramps. I’ll call the police.”

“Because,” his grandfather said bitterly, “calling the police always does so much good.”

 

***

 

Because while there is no law or set of laws that can prevent every senseless act of violence completely, no piece of legislation that will prevent every tragedy, every act of evil, if there is even one thing we can do to reduce this violence, if there is even one life that can be saved, then we’ve got an obligation to try.
—President Barack Obama,
January 16, 2013

 

 

SNAPSHOT: 2025

 

“I don’t see how this could work,” Deputy Chief of Police Hannah Fehey said, holding a small tablet in her left hand. She rested against the windowsill in her office, the skyline of Chicago behind, blocking all but a bit of blue from Lake Michigan. “Guns are still mechanical. No virus will shut off every single gun in the city.”

Ty smiled. His lawyer, Robert Locke, stood beside him, arms crossed, trying not to look nervous. Everyone expected Ty to be arrested by the end of the meeting.

He didn’t care. He had spent years thinking about this—ever since Hadiya and those bullets whizzing over his head in that park. Ever since his grandfather telling the same kind of stories. And Leon. Ty still didn’t want to think about Leon.

Ty had found a way to stop the violence. It would be slow, but it would work.

“I didn’t send a virus to the guns,” he said. “I sent it to the phones.”

She looked up from the tablet. “Phones?”

“Cell phones,” he said, trying not to treat her as if she was dumb. “And that tablet. And watches, glasses, clothing, and anything else computerized with a wireless or cell connection within a fifty-mile radius.”

If he had any hope of staying out of jail, he would need her on his side. Because he had already done it. He had hacked every possible personal system in the Greater Chicago area.

But she didn’t seem to notice that he had broken the law. She was still frowning at him, as if she couldn’t quite understand his point.

“So what?” she said. “You still can’t shut off a gun.”

“No,” he said. “I can’t. But if one fires, the phones nearby automatically upload everything to the nearest data node. Numbers called, texts sent, fingerprints from the screen, retinal prints, voice prints. The phone closest to the shot fired sends the information first. If you can’t identify someone from all of that and arrest them before the gunshot residue leaves their skin, then the Chicago Police Department isn’t as good as it says it is.”

Her mouth opened.

He didn’t tell her the rest of the details. All he had done was tweak already-existing technology to make it work for him. His little virus, which he sent through all the major carriers, turned personal devices on, and made them record everything in the immediate area—sound, video, location—everything. All of that data went to a series of dedicated servers, rather like those every major police department had now to scan all the traffic cameras and other security devices littering city streets.

Only those public security cameras didn’t activate when a shot rang out. They ran all the time, collecting too much useless data. These phones activated inside a house or a car, showing everything nearby. His servers instructed the personal devices to contact the police, all in a nanosecond.

It was the servers and data storage, his lawyers had told him when he came up with the idea, that made this action so very illegal.

So he wasn’t going to admit to all of his illegal acts. Just some of them.

“Check the tablet,” he said. “I’m sure someone has fired a gun in the last fifteen minutes.”

She glanced down at the tablet he had handed her at the beginning of the meeting. Her frown deepened. Then she set the tablet on the desk, leaned forward, and tapped the screen on the desk’s edge. Ty heard the chirrup as someone answered the Deputy Chief’s page.

“Any report of shots fired near the Art Institute?” she asked

“Yes, ma’am,” said the male voice, sounding perplexed. “How did you know?”

“Anyone injured?”

“We’re dispatching someone to the scene now.” Now the male voice sounded businesslike.

“Thank you,” she said, and tapped the screen again.

Ty nodded toward the tablet. “You have the information you need. You know who fired the first shot. If they have a criminal record, you already have their name and address.”

She picked up the tablet. Its light reflected in her eyes. “There’s more than one name here. Two of them belong to me.”

It took Ty a moment to understand. Police officers. “Everyone carries a personal device, ma’am,” he said. “You get reports of every shot.”

She clutched the tablet to her chest, like a child hugging a stuffed dog. “Criminals will stop carrying devices.”

“We don’t broadcast this,” he said. “We don’t tell anyone. We just arrest whoever takes a shot.”

“It’s not legal,” she said. “It won’t hold up in court.”

“Forgive me, ma’am.” Ty’s lawyer spoke up. Ty gave him a warning glance. Robert wasn’t supposed to speak unless Ty was arrested. “But under the revised FISA laws, you only need to notify the Federal Court that you’ll be doing this. You’ll have to do it under seal, but it should work.”

Ty let out a small breath. They didn’t know that for certain. The damn laws changed all the time, generally in favor of the government. But of course, he was talking to the government.

“My God,” she said.

For a moment, Ty had hope. She was going to try this.

Then she shook her head. “It’s one gun at a time.”

“One gun user at a time,” Ty said.

“We’d have to exclude firing ranges,” she muttered. “And weapons training facilities.”

“You can do that by location, ma’am,” Ty said. “Any guns fired in a sanctioned area wouldn’t trigger the alerts.”

The Deputy Chief blinked at him. “You’re giving this to us?” she asked.

“I want it tested here,” he said. “But it’s mine.”

She nodded once. “This might work,” she said. “My God. This just might work.”

 

***

 

“The data is dirty; it is not valid or reliable, there is all sorts of missing information,” says David Klinger, a former Los Angeles police officer who is now an associate professor of criminology and criminal justice at the University of Missouri-St. Louis. “When I and other researchers compare what is there with what is in local police internal files, it just doesn’t add up. So we don’t have a national system for recording deaths at the hands of police. And we don’t have information about police who shoot people who survive or who shoot at people and miss.”
—Pat Schneider,
The Capitol Times,
February 19, 2013

 

SNAPSHOT: 2025

 

“You did what?” Cleavon asked.

Ty was sitting in his grandfather’s kitchen, nursing a cup of coffee. “I gave it to the police.”

“You gave it…” Cleavon sat down heavily. His body hurt. His head hurt. He could barely catch his breath. “And you think they’ll use this technology to make the world better?”

“Of course they will,” Ty said. “You know that.”

Cleavon thought of his own grandfather, clutching a rifle on the rooftops of his South Chicago home in that hot hellish summer of 1919, fending off the police as they tried to destroy anyone with black skin, in the middle of the worst race riots of that horrible century.

He thought of the white police officers, who shot first and asked questions later in the gang-ridden Chicago neighborhoods where he grew up.

He thought of Emmett Till’s mother, sitting beside her son’s coffin, tears running down her cheeks. Of the bullet holes in Emmett’s head, done by two white men who would never have been arrested by the police of their day.

Of the bullet holes in Leon’s head, and of the arrest that would never happen, because it would have been too late.

Cleavon had no idea how to tell Ty that. How to convey all he’d seen, all he knew.

“Science won’t save the world, son,” Cleavon said.

Ty’s cheeks flushed, like they always did when he was angry and tried to hide it. He wanted his grandfather to praise him, not to criticize him.

“Mama said you would be negative,” Ty said. “She said I shouldn’t tell you anything I’ve done well because you always take the pride out of it.”

Cleavon looked at him. “It’s not about you.”

Ty raised his chin. “Then what’s it about?”

Cleavon started to answer, maybe quote some Martin Luther King, some Ghandi, words about changing men’s hearts. And then he stopped, smiled, leaned back.

His grandson believed that people were inherently good. Black, white, purple. His grandson didn’t care.

Yeah, the boy was naïve, but he was a new kind of naïve, one that didn’t even exist in Cleavon’s day.

“Never mind,” Cleavon said, getting up to pour himself another cup of coffee. “You done good, Ty. You done real good.”

 

Copyright © 2014 by Kristine Kathryn Rusch
First published in Analog, May, 2014
Published by WMG Publishing
Cover and Layout copyright © 2014 by WMG Publishing
Cover design by Allyson Longueira/WMG Publishing
Cover art copyright © Patrikeevna/Dreamstime, fstockfoto/Dreamstime

This book is licensed for your personal enjoyment only. All rights reserved. This is a work of fiction. All characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.

Writer’s block and other things

Writer’s block. We all get it in some way or another, from time to time. I’m no exception. For example, this week, I had writer’s block trying to come up with this blog.

I always approach writer’s block one of two ways. For writing of a type that makes up a blog, I simply start shopping around for ideas. Because my writer’s block on this blog always begins and ends with finding a topic. I don’t want to bore you, or me, for that matter. And my background in journalism makes me more of a reporter than a creator of topics.

So, when I found myself stumped for a topic this week—I mean, other than talking about our again, which is what has my mind so preoccupied this week—I asked my colleagues for ideas. The brilliant Jane Kennedy (WMG audio director) responded by telling me to write about what was already on my mind: the block. I can work with that, I thought.

What Jane prompted me to do was what my very first creative writing instructor had us do in class oh so many years ago. He made us keep a journal. I say made, because I resisted at first. I hate discussing my inner thoughts, and writing them down was worse because they were no longer safely ensconced in my head. But I’m an overachieving rule follower, so I did my assignment. I wrote things down. And I found myself liking it. Dammit.

But the part I found the most fascinating was that we had to write down whatever we were thinking for some period of time. (I can’t remember exactly how long now, but probably a minute or two.) And if we couldn’t think of anything to write, we had to write: “I don’t know what to write. I don’t know what to write. I don’t know what to write…” until something finally popped into our heads. And you know what, it always worked. It always unlocked my creativity. Inner thoughts would turn to poetry. And I enjoyed it immensely.

A bad life experience made me stop doing this exercise my senior year in high school. But it might be high time I started again.

I still use the “I don’t know what to write” trick, though. That’s the second way I approach writer’s block.

So, there you go. A blog about nothing. Not as funny as “a show about nothing” perhaps, but hopefully mildly entertaining, at least.

And if you didn’t find yourself mildly entertained after reading this, then let me make it up to you. And once again, Jane Kennedy will come to the rescue—with a dog, a kitten, and a story about cookies. Check out our latest and greatest video, “How to Create an Anthology.”

And now, I need a cookie.

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.

Fast Cars

Browse more Books Search for: The WMG Newsletter Get advanced notice of new releases, bonus content, and so much more. Subscribe Now Science fiction Available in: ebook, $2.99 Amazon Kobo WMG and others Fast Cars Kristine Kathryn Rusch The four musketeers plus one...

Publisher’s Note: Remembering

Although I’ve never served in the military, profound respect for those who do is in my blood. My father served with the Marines during the Vietnam War. My stepfather was in the Navy. Both of my grandfathers served with the Army during World War II. Being raised by military men helped shape who I am today.

Fortunately, I’ve never directly lost someone to war. I’ve known those who have been damaged by it, certainly. My paternal grandfather received two purple hearts. My dad lost some of his hearing from a mortar that hit too close. The damage to their psyches is harder to pin down. My dad doesn’t really talk about it. Many of his era don’t.

I remember visiting the Vietnam Veterans Memorial in Washington, D.C., in the sixth grade during a Girl Scouts trip. It was haunting to see all of those names. It was also the first time that I realized how little I knew about my dad’s service. I wondered as I scanned the names how many of those men he knew. And I realized how very lucky I was that his name was not among them.

Sometimes, I wonder if we’ve lost some of the sobriety of Memorial Day to the jubilation about the start of summer, backyard barbecues, three-day weekend and all the sales, sales, sales, sales.

It’s strange, but even though I grew up with military men, Memorial Day was always more about backyard barbecues than solemnity. I don’t doubt for a second that my dad thought about the friends he lost during the war. But we didn’t talk about it. And I didn’t experience it firsthand. So, it was more distant somehow.

At least until the first Gulf War started.

We all have fixed points in time that change us forever. As a nation, we have collective moments. For my generation, that first defining moment was the Space Shuttle Challenger exploding. The next was the Gulf War.

I was a senior in high school when Operation Desert Storm began. There was talk of a reinstated draft, and as a 17-year-old, I was acutely aware of that significance. But what I remember most was the moment I heard we were at war.

I was in a car with friends on our way to jazz band practice. We were jubilantly singing along to the soundtrack of The Jungle Book on tape as we drove, momentarily lost, through heavy fog on our way to pick up another friend. When we found our way to his house, he ran out to the car and yelled, “We’re at war!” Time stopped.

It was years before I could listen to anything but live radio after that day. The sensation of being lost in the fog and having such a significant event happen without me being immediately aware of it was too much. I suspect that was the day that began my path toward being a hard-news reporter. Never again would I allow myself to be in the dark like that.

In fact, when the second Gulf War began, I was right on the news front lines. I was the one monitoring the wire for the report that fighting had begun. I was the one, this time, who announced, “We are at war.”

Whether we realize it, war changes us. Directly or indirectly, it happens nonetheless.

Kristine Kathryn Rusch captures this concept poignantly in her story Patriotic Gestures, which was chosen as one of the year’s best mystery stories in 2009. It’s a fitting reminder of the impact of war.

Allyson Longueira is publisher of WMG Publishing. She is an award-winning writer, editor and designer.